Roslyn Orlando works across the disciplines of text, sound and performance to explore relationships between language, history and technology. Her work is presented as live and recorded performances, books and scores.
She studied journalism at the University of Sydney, and Arts Politics at Tisch School of the Arts, New York University.
2025 Chamber Made, Orange House by the Sea Artist Residency, Speech Acts
2025 Soft Skull Press, Ekhō (poetry book publication, North America)
2024 Blindside, ‘House Hold’, Raphi on Air
2024 RMIT, ‘Hideous Replica – Model Collapse’, Linguifascisms
2024 Upswell Publishing, Ekhō (poetry book publication, Australia)
2023 Critical Path Artist Residency, MILK Residency, Critical Simulation
2023 Metrohan Gallery (Istanbul), 36,000 Words Under a Gemini Moon
2022 Sonos Gallery (Berlin), ‘Re;’ 36,000 Words Under a Gemini Moon
2022 Blindside, EKHŌ
2022 Liquid Architecture, ‘Automation Effects/Logical Conclusions’, A LaMDA Instance
2021 Performance Space and Kyoto Experiment, ‘Live Dreams’, Evasion Sore II (Domestic Security)
2021 Firstdraft, ‘Soft Power’, Evasion Score I (Utan)
2020 Sydney Opera House, ‘New Works for Film’, A Portrait of the Artist (As Told by Airtaskers)
2019 Liquid Architecture, Simulation 1.3 and Simulation 1.4
2019 UTS Gallery, ‘After Technology’, 36,000 Words Under a Gemini Moon
2019 SEVENTH Gallery, Thank U, Text
2018 Vitalstatistix, ‘Adhocracy’, The Most Glorious Disastrous Meal of My Life
2018 Next Wave Festival, Lifestyle of the Richard and Family
2017 Desire Lines - Ultimo, Simulation 1.1
2017 New Zealand Fringe Festival, The internet is where innocence goes to die and you can come too
2016 MOANA, Interventions in Live Chat
2016 Firstrdraft, ‘Same/Same’ curated by Tom Smith, Summation of Life (Detail)
2015 20th Biennale of Sydney Public Program, Chat Club Episode 21
2015 Underbelly Arts Lab and Festival, Human Google Project
2015 PACT Centre for Emerging Artists, I’ll Have What She’s Having
2026 (WIP), Theatre with Linda Dement, co-writer
2025 PAGEANT (NYC), Muddy 2.0 by Rebecca Jensen, co-writer
2025 Various, Environments 12 by Machine Listening, vocal recording
2024 NTMOFA ‘Asian Art Biennale’ (Taichung), Body-Data-Loop with Lee Ming Chieh (李明潔), Tian Zi-Ping (田子平）and Nasim Patel, collaborating artist
2022 ACCA, After Words by Machine Listening, vocal recording
2022 Rising (Melb) and Transform (Leeds), Oh Deer! by Aphids, performer
2022 Blindside, M4C by Gabriella Imrachova, performer
2022 Sullivan+Strumpf, Presage by Yvette Coppersmith, composer
2021 Blindside, Spawn by Rebecca Jensen, composer
2018 Performance Space ‘Liveworks’, Invisible, As Music by Bree Van Reyk, improvising musician